![]() The tools are straightforward and easy to understand the only limitation is that vector objects cannot contain gradients. A Shape Settings palette lets you tweak the fill color, stroke color, and width and even apply a drop shadow. You can create shapes with strokes and solid color fills, and each shape is placed on its own layer. Happily, Pixelmator’s vector tools function more like those in Illustator. In Photoshop, you use vectors to create shapes that you can use as masks for fills or adjustments. The app also includes vector tools that work differently than those in Photoshop. (It’s also worth noting that Pixelmator supports Photoshop brushes, though the maximum size of any brush is limited to 1000 pixels.) Photoshop provides so many controls-many which go unused by the average user-that it must spread these settings across multiple subsections. All important brush details can then be configured within a single palette, including scattering, shape, and color jitter. The palette shows thumbnails of all brushes within the currently selected brush set, and you can expand it to show brush settings via the contextual menu at the right. Pixelmator’s Brush palette is a perfect example of how this slick app can outstep Photoshop and Photoshop Elements. The only disappointment is that palettes do not snap (or dock) to each other. Examples of these small but significant extras are that you’ll see the current angle displayed next to the cursor when you draw out a gradient, and when you choose undo/redo, a subtle pop-up in the middle of your canvas tells you what action has been undone/redone. Navigation is smooth and slick, and some actions show additional detail as they’re performed. Palettes are streamlined, subdued, and black, and do not distract from the canvas. One of the first things you notice about Pixelmator is that the interface is incredibly clean and fluid.
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